Starting with “SHELLMOUNDS,” the earliest evidence of human settlement in Bay Area, each title on our shelf represents a creative work, event, organization, movement, history or biography that has played a role in shaping the particular qualities of Bay Area art and media activism. In trying to survey our past, these are just a few of the countless stories we have to draw upon. We cannot tell them all since not all books will fit on one shelf. However, we hope that viewers will enjoy browsing this collection and be reminded of the deep roots of creativity, diversity, love and political liberation that have made the Bay Area so special. We have made our selections in the spirit of James Baldwin and Take This Hammer in order to highlight stories of uncompromising clarity and courageous artistic vision.
While the stories are arranged chronologically, we can draw upon any of them at anytime to bring the past into the present. Time is also a tool. For activists, this is one of the most powerful aspects of our art and media. Remembering and reiterating our stories allows us to work critically and knowledgeably with time and change–because progress is sometimes a seductive myth and ghosts can be helpful. Some stories will be familiar and hopefully some will not. We invite everyone to take note of these titles and look the stories up for themselves. They are listed here with short descriptions.
DATE | “TITLE” | “AUTHOR” | CATEGORY | DESCRIPTION |
4000 BCE | SHELLMOUNDS | Ohlone | Archaeology | Shellmounds are large scale earthworks composed of shell midden deposits. They are the oldest archaeological evidence of human settlement in the Bay Area. Estimated at over 6,000 years old, they are a starting point from which to consider the creative and collaborative work that continues today. |
1492 (1991) | Almanac of the Dead | Leslie Marmon Silko | Book – Indigenous Storytelling | Silko’s prophetic 1991 novel provides indigenous perspectives on the effects of European colonialism on space, time, and imagination in the Americas while modeling the radical possibilities of indigenous American storytelling, magic, and politics for the future. |
1790 | Hidden Mural of Mission Dolores | Indigenous Artists | Art – Indigenous | Behind the first altar inside the sanctuary of Mission Dolores is a hidden mural rendered in ochre, red, white, yellow, black, and blue that includes abstract patterns and Christian imagery. The mural measures 21 inches high by 22 feet wide. In 1790, there were 456 Peninsula Costonoan (86%), 45 East Bay Costonoan (9%), 23 Coast Miwok (5%) and 1 Bay Miwok (>1%) at Mission Dolores. |
1769 (2013) | SAINTS & CITIZENS: Indigenous Histories of Colonial Missions and Mexican California | Lisbeth Haas | Book – History | While focused on indigenous mission encounters in Southern California, Saints and Citizens: Indigenous Histories of Colonial Missions and Mexican California offers detailed accounts and interpretations of indigenous creative practices and political agency during the California Mission era. |
1849 | The Gold Rush & Comstock Silver Load | Geopolitics – History | San Francisco becomes a significant port of call with the discovery of gold in the Sierra Nevada foothills (1848–1855) and then silver in Western Nevada. | |
1871 | San Francisco Art Association | SFAI | Organization – Education | The San Francisco Art Association would establish one of the oldest art schools in the United States with the California School of Design (CSD) in 1874. CSD was renamed California School of Fine Arts in 1916, which then became the San Francisco Art Institute in 1961. |
1888 | Bayview Opera House | Organization – Performance | The Bay View Opera House Ruth Williams Memorial Theater is San Francisco’s oldest theater located at 4705 Third Street in the heart of Bayview Hunters Point. | |
1893 | Xavier Martínez: Painting & Murals | Artists | Mexican-born Martinez, moved to San Francisco in 1893 and enrolled in the California School of Design (SFAI) to study painting. He became a central figure in the Bohemian art scene. Martinez was an instructor at the California College of Arts and Crafts (CCA) and the California School of Fine Arts (SFAI). He remained invested in his Mexican roots and published poetry and philosophy in Spanish. | |
1901 | WAITRESSES ON STRIKE! | Labor Movement | Striking waitresses shut down 200 San Francisco restaurants. | |
1907 | School of the California Guild of Arts and Crafts | CCA | Organization – Education | The California College of Arts & Crafts (1936) was established, then later renamed the California College of the Arts (2003). |
1910 | Cantonese Poems | Angel Island Immigration Station | Poetry | Angel Island served as an immigration station for people arriving from East Asia, South Asia, and Russia. The government detained and interrogated thousands of Chinese newcomers to determine whether they were lawful immigrants. While detained, many immigrants left poetry on the walls of the station. |
1913 | Tina Modotti | Artists | Actress, model, photographer, revolutionary political activist, Tina Modotti immigrates to United States from Italy and lives in San Francisco. | |
1915 | Panama-Pacific International Exposition | Art – Exhibition | The Panama–Pacific International Exposition (PPIE) was a world fair that took place in the Marina district of San Francisco between February 20 and December 4, 1915. The purpose of the fair was to celebrate the completion of the Panama Canal, but it served as an opportunity to show the city re-built after the severe damages caused by the 1906 earthquake. | |
1930 | Frida Kahlo & Diego Rivera | Artists | Diego Rivera and Frida Kahlo arrive in San Francisco. Rivera paints the Stock Exchange fresco “Allegory of California.” His visit would strongly influence many of the artists whom the government would later commission to decorate the walls of the new Coit Memorial Tower on Telegraph Hill. | |
1934 | BLOODY THURSDAY | San Francisco General Strike/West Coast Longshoremen’s Strike | Labor Movement | Violence and conflict ensue when police try to open the Port of San Francisco on Thursday July 5 of the 1934 West Coast Longshoremen’s Strike. |
1934 | Coit Tower Murals: “Aspects of Life in California” | WPA Public Works of Art Project | Public Art | In 1933, New Deal relief administrator Harry L. Hopkins gave his support to a groundbreaking plan that commissioned artists to produce public works of art. He argued that “work relief,” was necessary because it not only provided otherwise jobless people with money to buy food, but also preserved their skills and restored their self-confidence. |
1941 | MAYA ANGELOU | Collected Works | Literature – Poetry | Writer and activist Maya Angelou arrives in San Francisco arrives as a teen anger and attends high school. Angelou would go on to write I Know Why the Caged Bird Sings and many other works. |
1941 | HARLEM OF THE WEST | Geopolitics – Race | Between 1941 and 1970, over 5 million African-Americans left the South for other parts of the United States. Drawn by World War II job opportunities in the Hunters Point Naval shipyard, many African-Americans settled in the Bay Area and established San Francisco, and the Fillmore District in particular, as a thriving West Coast hub of African American art, culture, and politics. | |
1946 (1976) | CROSSROADS | Bruce Connor | Art – Experimental Film | Bruce Connor’s 1976 experimental film used found footage of the United States’ 1946 nuclear weapons test at Bikini Atoll. |
1942 (2006) | In Good Conscience: Supporting Japanese Americans During the Internment | Shizue Seigel | Book – History | Seigel’s book offers a comprehensive look at non-Japanese American allies that helped incarcerees during and after World War II. |
1946 | Rincon Annex Murals | Anton Refregier | Public Art | Murals painted and censored. Refregier described his desire to paint the past, not as a romantic backdrop, but as part of the living present, a present shaped by the trauma of depression, strikes, and impending war. The controversial content would cause an uproar from conservatives who repeatedly attempted to censor it. |
1946 | OAKLAND GENERAL STRIKE | Labor Movement | Preceded by Strikes at Oakland department stores, Kahn’s and Hastings, by 400 women employees, the Oakland General Strike involved over 100,000 workers from the American Federation of Labor unions in Alameda County who declared a “work holiday” and walked off their jobs. | |
1952 | Graphic Arts Workshop | Radical Print | Originally a range of classes operating under the umbrella of the Communist Party’s California Labor School, the Graphic Arts Workshop (GAW) became a separate entity sometime between 1949 and 1952 when conservative political pressure and the loss of their nonprofit status closed down the school. | |
1953 | City Lights | Lawrence Ferlinghetti and Peter D. Martin | Bookstore – Beat | City Lights bookstore was founded in 1953 by poet Lawrence Ferlinghetti and Peter D. Martin. Books and publications on alternative culture made it a unique destination for both locals and tourists. The store remains a legacy of anti-authoritarian, radical politics, and insurgent thinking. |
1955 | HOWL | Allen Ginsburg | Poetry | Considered a benchmark in Beat poetry, Howl was written in three parts by poet and writer Allen Ginsberg in 1955. It was published as part of a 1956 collection by City Lights and became the target of a federal obscenity trial due to its references to drugs and sexually explicit content. |
1956 | The Ladder | Daughters of Bilitis | Publication – Lesbian | The Daughters of Bilitis was founded in 1955 as a social group for San Francisco lesbians and grew into a national organization with the publication of The Ladder, their monthly magazine by and for lesbians. They would convene at a conference in 1960, the first national public gathering of lesbians in the US. |
1957 (2010) | 23 Women Artists and Artists of Color: 1950s-60s | Carlos Villa – rehistoricizing.org | Artists – Internet | Villa’s Rehistoricizing.org presents the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a “pre post–race” environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists |
1959 | San Francisco Mime Troupe | RG Davis | Performance – Activism | Founder RG Davis started avant-garde performance events in lofts and basements. When he discovered Commedia dell’Arte (Italian Renaissance marketplace comedy), he began a tradition of free shows in local parks. The troupe became a collective in 1970. Their performances include melodramas, spy thrillers, musical comedies, epic histories, sitcoms, and cartoon epics. |
1960 | The National Committee to Abolish the House Un-American Activities Committee | Frank Wilkinson and Dick Criley | Action – Civil Rights | HUAC conducted hearings in San Francisco’s City Hall, drawing hundreds of protestors, mainly college students. Without warning, the police turn fire hoses on the protestors and push them down the staircase in the building’s rotunda. The following day, 5,000 people gathered in front of City Hall to protest against HUAC. |
1961 | Bernice Bing | Collected Works | Artists | Artist Bernice Bing is born in San Francisco and would become an accomplished painter (MFA, SFAI ’61) who would head the South of Market Cultural Center (later renamed the SOMArts Cultural Center) in the 1980s. |
1960 | Marcus Books | Julian and Raye Richardson – The Success Printing Co. | Bookstore – Black | In 1960, the thriving Black business district known as the Fillmore in San Francisco, Julian and Raye Richardson were co-owners of The Success Printing Company. After reading Marcus Garvey’s Philosophy and Opinions, they decided to change the names of their 30 year-old print shop and bookstore to Marcus Books Printing and Marcus Bookstores, which resulted in opening another store in Oakland, California. |
1963 | TAKE THIS HAMMER | Dir. Richard O. Moore Feat. James Baldwin – NET |
Documentary Film – Race | In 1963, Baldwin tours San Francisco for KQED’s documentary “Take This Hammer” on the African American community and publishes “The Fire Next Time,” which was about the civil rights movement and later became a national best seller. |
1963 | The Fire Next Time | James Baldwin | Book – Essay – Race | The Fire Next Time by James Baldwin contains two essays: “My Dungeon Shook — Letter to my Nephew on the One Hundredth Anniversary of Emancipation,” and “Down At The Cross — Letter from a Region of My Mind.” |
1964 | Civil Rights Act | American History | The Civil Rights Act of 1964 is a landmark piece of civil rights legislation in the United States that outlawed discrimination based on race, color, religion, sex, or national origin. It ended unequal application of voter registration requirements, racial segregation in schools and at the workplace and by facilities that served the general public. | |
1964 | FREE SPEECH MOVEMENT | Movement – Civil Rights | The Free Speech movement included Mario Savio, Jack Weinberg, Michael Rossman, Brian Turner, Bettina Aptheker, Steve Weissman, Art Goldberg, Jackie Goldberg, and others. In the spring of 1965, the FSM was followed by the Vietnam Day Committee, a major starting point for the anti-Vietnam war movement. | |
1965 | Wee Pals | Morrie Turner | Illustration – Multiculturalism | Wee Pals was a syndicated comic strip about a diverse group of children. The comic was created and produced by Morrie Turner. It was the first comic strip syndicated in the United States to have a cast of diverse characters dubbed the “Rainbow Gang.” |
1965 | Intersection for the Arts | Organization – Art | Intersection for the Arts was established in 1965 by an interfaith coalition of three churches with funding from the Glide Foundation. The organization began as a merger of several faith-based experiments that were using art to reach disenfranchised neighborhood youth and provide artists who were conscientious objectors with an alternative to serving in the Vietnam War. | |
1965 | Delano Grape Strike | Agricultural Workers Organizing Committee and the United Farm Workers | Labor Movement | On September 8, 1965, Filipino American grape workers and members of the Agricultural Workers Organizing Committee walked out on strike against Delano-area table and wine grape growers protesting years of poor pay and conditions. The Filipinos asked Cesar Chavez, who led a mostly Latino farm workers union, the National Farm Workers Association, to join their strike. |
1966 | Compton’s Cafeteria Riot | Transgender Residents | Protest – Police Violence | Located, in the Tenderloin District at 101 Taylor Street, Compton’s Café was the sight of one of the first recorded transgender uprisings in the Unites States. |
1966 | HUNTERS POINT RIOT | Protest – Police Violence – Racism | Residents of San Francisco’s predominantly black Hunters Point neighborhood protest the killing a seventeen-year-old Matthew Johnson by a white police officer shot as the boy fled the scene of a stolen car. Police called in the Highway Patrol and National Guard to subdue the situation. | |
1967 | The Black Panther | Art, Graphics, Illustration by Emory Douglas, Minister of Culture BPP | Publication – Movement – Black | As the Minister of Culture for the Black Panther Party, Emory Douglas was responsible for creating some of the most iconic images, graphics, and illustrations of the Black Power Movement. |
1967 | International Grape Boycott | United Farm Workers | Labor Movement | See organized in conjunction with the Delano Grape Strike, the international consumer boycott of non-union grapes was instrumental in securing victory for Agricultural Workers Organizing Committee and the United Farm Workers against California grape growers. |
1967 | Western Addition Community Organization | Hannibal Williams | Geopolitics – Race | WACO launched an all-out attack on the SF Redevelopment Agency whose redevelopment plans often targeted low-income residents and residents of color for displacement. Their lawsuit resulted in the 1975 Federal Uniform Relocation Act. Which says “if you use a dollar of federal money to displace a person, you have to use federal money to re-house them.” |
1967 | Neighborhood Arts Program | SFAC | Organization – Art | A project of the San Francisco Arts Commission was one of the first community arts programs established in the United States and worked to ensure residents of the city experienced and participated in the arts. |
1967 | The Human Be-In and the Summer of Love | Movement – Counterculture | The Human Be-In was an event in San Francisco’s Golden Gate Park held on January 14, 1967. It was a prelude to San Francisco’s Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture. | |
1968 | SF STATE STRIKE!: The Longest Student Strike in U.S. History | Third World Liberation Front | Action – Social Justice – Education | The Third World Liberation Front (TLWF) led a student strike at San Francisco State University that lasted five months. TLWF was a joint effort of the Black Student Union, Latin American Students Organization, Asian American Political Alliance, Filipino American Collegiate Endeavor, and Native American Students Union. |
1968 | COAL | Audre Lorde | Poetry | Poet Audre Lorde published her first work in 1968. COAL (published 1976) established Lorde as an iconic voice of the Black Arts Movement. |
1968 | The Rolling Quads | UC Berkeley Students with Disabilities | Movement – Disability Rights | UC Berkeley Students with disabilities organize and advocate for accessible classrooms, curb cuts in the City of Berkeley, and other accommodations for people with disabilities. |
1969 | INDIANS WELCOME: Occupation of Alcatraz | Indians of All Tribes | Action – Geopolitics – Indigenous | Nearly 100 young Native American Indians, mostly students, occupied Alcatraz, demanding the US government cede the island to Native American people. |
1969 | UC BERKELEY STRIKE!: The 2nd Longest Student Strike in U.S. History | Third World Liberation Front | Action – Social Justice – Education | TWLF led a student strike at UC Berkeley, which included the Mexican American Student Confederation, Asian American Political Alliance, African American Student Union, and the Native American group. |
1969 | Exploratorium | Frank Oppenheimer | Art – Technology | The Exploratorium is a museum and public learning laboratory in San Francisco focused on science, art, and human perception. |
1970 | Galería de la Raza | Organization – Chicano/Latino Art | Art and cultural center located in the heart of the Mission district was founded by Rupert García, Peter Rodríguez, Francisco X. Camplis, Graciela Carrillo, Jerry Concha, Gustavo Ramos Rivera, Carlos Loarca, Manuel Villamor, Robert González, Luis Cervantes, Chuy Campusano, Rolando Castellón, Ralph Maradiaga, and René Yañez. | |
1970 | Royal Chicano Air Force | José Montoya and Esteban Villa | Radical Print | The Royal Chicano Air Force (RCAF) is an artistic collective based in Sacramento. Initially named the Rebel Chicano Art Front, the RCAF was founded in 1969 to express the goals of the Chicano civil rights and labor organizing movement of the United Farm Workers. |
1971 | KPOO 89.5 FM | Poor People’s Radio | Radio – Social Justice | KPOO is an independent, listener-sponsored, noncommercial radio station. |
1971 | La Raza Silkscreen Center / La Raza Graphics Center | Radical Print | One of the most prolific and influential poster centers of the Bay Area, LRSC/LRGC not only served as a cultural hub in San Francisco’s Mission District, it attracted artists from all over the world. | |
1971 | Modern Times Book Store | Bookstore – Collective | Collectively owned and operated community bookstore in the Mission. | |
1975 | The Morning Breaks: The Trial of Angel Davis | Bettina Aptheker | Book – History | Arrested on October 13, 1970, on suspicion of conspiracy in the 1970 armed take-over of a Marin County courthouse, Davis was a highly recognized and controversial African American scholar and activist. She was acquitted in San Jose by an all-white jury in 1972. The extraordinarily effective local and national grassroots movement for her freedom is documented by her close friend Dr. Bettina Aptheker. |
1972 | YARDBIRD READER | Ishmael Reed and Al Young | Publication – Multiculturalism | Ishmael Reed, along with Al Young and several others, founded The Yardbird Reader to be a multi-cultural magazine devoted to literature and art. They published five issues between 1972-1976 before a legal dispute caused Reed and Young to lose the rights to the magazine. They published Yardbird Lives! in 1978 as a means of recouping some of their financial outlay, and eventually Y’Bird, but a court ruled they could use neither of these names. |
1972 | Kearny Street Workshop | Organization – Asian American Art | Founded in 1972, during the height of the Asian American cultural movement, Kearny Street Workshop (KSW) is the oldest Asian Pacific American multidisciplinary arts organization in the country. | |
1973 | Third World Communications Collective | Publication – Social Justice | Members of the Third World Communications Collective included: Nina Serrano, Alejandro Stuart, Fernando Alegrià, Rupert Garcia, Janice Mirikitani, Serrafín Syquia, Geraldine Kudaka, George Leong, Victor Heràndez Cruz, and Jessica Hagedorn. | |
1972 | Día de los Muertos in San Francisco | René Yañez | Public Art – Chicano/Latino | Yañez brought the tradional Mexican ritual celebration to San Francisco’s Mission District and as an annual exhibition free to the community at the SOMArts Cultural Center. |
1974 | Inkworks Press | Radical Print | In 1974, several founders embarked on creating a movement print shop to meet the deep need for community-based media facilities to suppport activism against the Vietnam War, for international solidarity, civil rights, feminism, LGBT rights. | |
1974 | THE FARM | Bonnie Sherk & Jack Wickert | Geopolitics – Community | A life-scale environmental and social artwork that brought many people from different disciplines, cultures, and species—plants and animals together. The Farm was involved in extensive land transformation that included the integration of disparate land parcels—all adjacent to and incorporating a major freeway interchange into a new city culture-ecology park. |
1974 | The Women’s Press Project / The Women’s Press | Radical Print | The Mission-based nonprofit Women’s Skills Center set up the WPP for vocational skills training in the printing trade. They were collectively run and moved to their own facility on Otis Street in 1980. | |
1975 | MEDIA BURN | Ant Farm | Performance Art – Media | Staged in the Cow Palace parking lot for local television news outlets, Media Burn was an early experiment in viral media. |
1976 | Bay Area Video Coalition | Organization – Media | Founded by a coalition of activist and media makers, BAVC has provided media technology tools and resources to the Bay Area community for the past forty years. | |
1976 | Bound Together Books | Bookstore – Anarchist | Bound Together Bookstore is an Anarchist collective-run bookstore featuring radical literature and events located in San Francisco’s Haight Ashbury district. | |
1976 | San Francisco Bay View | Publication – Black | The San Francisco Bay View National Black Newspaper was founded in 1976. It is a communications network for the Black community worldwide. The organization publishes a free print edition distributed throughout the Bay Area and mailed to subscribers, including hundreds of prisoners all over the country. | |
1977 | Supervisor Harvey Milk | District Five | Movement – LGBTQ | San Francisco voters elect Harvey Milk to the SF Board of Supervisors, making Milk the first openly gay public official in the state of California and one of the most famous in the United States. Milk was assassinated along with Mayor Moscone less than one year by Supervisor Dan White. |
1977 | Precita Eyes Muralists Association | Susan and Luis Cervantes | Organization – Public Art | Precita Eyes Muralists Association and Center, established in 1977, founded by Susan and Luis Cervantes and other artists in San Francisco’s Mission District, is a multipurpose community based arts organization that has played an integral role in the city’s cultural heritage and arts education. |
1977 | Mission Cultural Center for Latino Arts / Mission Gráfica | Organization – Chicano/Latino Art | The Mission Cultural center for Latino Arts (MCCLA) was originally called the Palmeto Museum. Founded in the 1970s by a group of San Francisco State University students. | |
1977 (1907) | THE I-HOTEL | Protest – Geopolitics – Asian American | The International Hotel (I-Hotel) became the last stand of San Francisco’s Manilatown. The hotel had been a residence of Asian seasonal migrant workers and Filipino Americans and their families since 1907. Beginning in 1968, city officials issued widespread eviction notices to tenants, targeting the building for removal and re-development. By 1977, political resistance to the evictions culminated in a massive public demonstration in 1977. After the removal of the last residents, the building was demolished in 1981. | |
1977 | SECTION 504 SIT-IN: The Longest Federal Building Occupation in U.S. History | Emergency 504 Coalition | Action – Disability Rights | As part of a coordinated nationwide action, disability rights activists organize the longest federal building occupation in US History at U.S. Department of Health Education Welfare in San Francisco. |
1978 | The Dream of a Common Language | Adrienne Rich | Poetry | The first publication for Rich after she came out as a lesbian. The book is divided into three sections: 1) “Power,” 2) “Twenty One Love Poems,” and 3) “Not Somewhere Else, But Here.” |
1978 | SOMArts Cultural Center | Organization – Art | In the 1960s, the Neighborhood Arts Program (NAP) was created by the San Francisco Arts Commission (SFAC) in order to promote community by providing funding for the arts. Under the direction of Martin Snipper, the city purchased the 17,000 square foot Brannan Street building. | |
1979 | Sisters of Perpetual Indulgence | Performance – LGBTQ Activism | A charity, protest, and street performance organization that uses drag and religious imagery to call attention to sexual intolerance and satirize issues of gender and morality. | |
1979 | White Night Riots | Protest – LGBTQ | When Dan White was received a lenient sentencing for the killing of Mayor George Moscone and Supervisor Harvey Milk, a series of violent uprisings by the gay community took place all over the city. | |
1980 | Webworks: Voices of the Native Nation | Mary Jean Robertson – KPOO 89.5 | Radio – Indigenous | Originally called “Red Voices,” Webworks is a radio program on indigenous issues. It airs on the second, third and fourth Wednesday of each month. |
1983 | BAY AREA PEACE NAVY | Members of the American Friends Service Committee | Performance – Anti-war Activism | The Bay Area Peace Navy used water-based guerrilla theatre and direct action to block arms shipments from the Bay Area’s Port Chicago to Central America. |
1983 | Mama Bears Bookstore | Bookstore – Women | Mama Bears Women’s Bookstore was one of the oldest feminist bookstores in the country. Based in Berkeley, California, it featured a wide selection of books of interest to women. It closed in 2003. | |
1984 | Artists’ Television Access | John Martin and Marshall Weber | Organization – Art – Media | Artists’ Television Access (ATA) is a San Francisco-based, artist-run, non-profit organization that cultivates and promotes culturally-aware, underground media and experimental art. The organization provides an accessible screening venue and gallery for the presentation of programmed and guest-curated screenings, exhibitions, performances, workshops and events. |
1984 | Culture Clash: The Collected Works | Performance – Chicano | Writers for Culture Clash included José Antonio Burciaga, Marga Gómez, Monica Palacios, Richard Montoya, Ric Salinas, and Herbert Siguenza. | |
1985 | AIDS/ARC VIGIL | The longest running act of civil disobedience in San Francisco | Action – Health Care – LGBTQ | The vigil began on a small scale when two men, Steven Russell and Frank Bert, chained themselves to the door of the Federal Building at the UN Plaza to protest the government’s inaction in the face of the devastating AIDS virus that infected half the gay male population in San Francisco. A group of supporters gathered and started the 24-hour a day vigil that lasted ten years. |
1985 | Contraband | Sara Shelton Mann | Performance Art | In 1979, Mann formed CONTRABAND, a group of collaborative artists dedicated to the evolution of an interdisciplinary dance vision. |
1986 | Brava Theater Center/Brava! For Women in the Arts | Organization – Performance | In 1986, Ellen Gavin and group of 75 women artists, met at Galería de la Raza in San Francisco’s Mission District with the intention of bringing attention to the unspoken realities of women’s lives through theater. These artists expressed their creative passion by producing a black lesbian event at the African American Art & Culture Complex in the Western Addition District, followed by a women’s writing showcase at the Victoria Theater. In the midst of these two projects, Brava! For Women in the Arts was founded. | |
1987 | ACT UP | Movement – LGBTQ | AIDS Coalition to Unleash Power (ACT UP) is an international direct action advocacy group working to impact the lives of people with AIDS (PWAs). Gran Fury was the art collective that created the most iconic visuals of the movement. There are two ACT UP affiliated groups in San Francisco, ACT UP/Golden Gate (renamed Survive AIDS) and ACT UP/SF. | |
1989 | African American Art and Culture Complex | Organization – Art | In July 1989, Supervisor Willie B. Kennedy forwarded a resolution to the Board of Supervisors that urged the Mayor and County of San Francisco to consider the sale or long-term lease of the Western Addition Cultural Center to better reflect the needs of the community in terms of programming, management and operations. The resolution passed unanimously and the Center for African and African American Art and Culture was founded. The organization was later renamed to African American Art and Culture Complex. | |
1989 | Asian American Women Artists Association | Betty Kano, Flo Oy Wong, and Moira Roth | Organization – Art | Asian American Women Artists Association (AAWAA) was founded in 1989 in San Francisco by Betty Kano, Flo Oy Wong, and Moira Roth to promote the visibility of Asian American women artists and to serve as a vehicle for personal expression with a view of Asian American cultures and history from women’s perspective. |
1989 | Hunters Point: Toxic Superfund Site | US Navy & EPA | Geopolitics – Race – Environment | Contaminated by toxins, the Hunters Point Naval Shipyard was added to the list of Federal Superfund Sites in 1989. The shipyard, located in the historically black Bayview District, was also the location of the Naval Radiological Defense Laboratory (NRDL) from 1948 to 1969 which conducted radiological decontamination of ships exposed to atomic weapons testing as well as research and experiments on radiation on living organisms, and the effects of radiation on materials. |
1990 | “Border Brujo” for Borderwatch: Five Years Later | Guillermo Gómez-Peña | Performance Art | Sitting at an altar decorated with a kitsch collection of cultural fetish items, and wearing a border patrolman’s jacket decorated with buttons, bananas, beads, and shells, Gómez-Peña delivers a sly and bitter indictment of U.S. colonial attitudes toward Mexican culture and history. |
1990 | Electronic Frontier Foundation | Organization – Media – Civil Rights | The Electronic Frontier Foundation (EFF) is the leading nonprofit organization defending civil liberties in the digital world. Founded in 1990, EFF champions user privacy, free expression, and innovation through impact litigation, policy analysis, grassroots activism, and technology development. | |
1992 | Clarion Alley Mural Project | Public Art | The project was founded by Aaron Noble, Michael O’Connor, Sebastiana Pastor, Rigo 92, Mary Gail Snyder, and Aracely Soriano. | |
1989 | TONGUES UNTIED | Marlon Riggs | Experimental Documentary – Black Sexuality | Oakland-based Marlon Riggs pushed the experimental documentary format. His works provides radical visual and performance methods for documenting Black and Queer identity in the United States |
1997 | Dot Com Bubble | Geopolitics – Technology | The “dot-com bubble” (also referred to as the dot-com boom, the Internet bubble, the dot-com collapse, and the information technology bubble) was a historic speculative bubble covering roughly 1997–2000. | |
1999 | Mission Anti-Displacement Coalition | Geopolitics – Race | The Mission Anti-Displacement Coalition (MAC) formed in order to fight displacement brought upon the neighborhood by the tech start-ups and evictions of the dot-com boom in the late 1990s. MAC learned the importance of zoning and local government’s land use powers as a potential terrain of engagement in seeking to determine the course of neighborhood redevelopment. | |
1994 | Sister Spit | Poetry – Performance – Queer | Sister Spit is a lesbian-feminist spoken-word and performance art collective based in San Francisco, signed to Mr. Lady Records. They formed in 1994 and disbanded in 2006. Founding members included Michelle Tea, Sini Anderson, Jane LeCroy, and poet Eileen Myles. | |
1994 | Loco Bloco | Music – Activism – Education | Loco Bloco’s mission is to promote San Francisco youth’s healthy transition into adulthood by engaging them in the creation and performance of music, dance, and theater rooted in Afro-Latino traditions. | |
1995 | Mail Order Brides/M.O.B. | Immaculata, Neneng, and Baby | Performance Art – Media | For over 15 years, Reanne “Immaculata” Estrada, Eliza “Neneng” Barrios, and Jenifer “Baby” Wofford have worked collaboratively as Mail Order Brides/M.O.B., a trio of Filipina-American artists engaged in an ongoing conversation with culture and gender. |
1996 | The Beat Within | Incarcerated Youth | Publication – Social Justice – Education | A literary project and publication for the writing and art of incarcerated youth. |
1997 | Critical Resistance | Organization – Prison Abolition | Critical Resistance was formed in 1997 when activists challenging the idea that imprisonment and policing are a solution for social, political, and economic problems came together to organize a conference that examined and challenged what we have come to call the prison industrial complex (PIC). | |
1997 | Ice Car Cage | Jules Beckman, Jess Curtis, Keith Hennessy | Performance Art | Collaborative choreography, design, performance commissioned by SF Lesbian & Gay Dance Festival. |
1971 | Japantown Art and Media Center | Organization – Media | Mandated by the San Francisco Redevelopment Agency’s Nihonmachi Master Plan, in 1971 construction of a community center in Japantown was approved at community meetings. Japanese Cultural and Community Center of Northern California (JCCCNC) was selected as the name of the future facility. | |
2000 | Queer Women of Color Media Arts Project | Organization – Media | Queer Women of Color Media Arts Project (QWOCMAP) began in 2000 with funding from California Arts Council for award-winning San Francisco filmmaker Madeleine Lim to conduct a series of free workshops serving queer women of color emerging media artists. | |
2000 | Femina Potens | Madison Young | Organization – Art | Femina Potens is a non-profit arts organization celebrating difference and exploring identity through cultural and eduational experiences that serve to enrich the lives of LGBTA and allied communities. Since 2000, we have presented ground-breaking performances and exhibitions that create space necessary for dialogue and chage in marginalized communities. |
2002 | Design Action Collective | Radical Design – Collective | Worker-owned and managed collective union print shop that was a spin off from Inkworks Press. | |
2003 | Dignidad Rebelde | Jesus Barraza and Melanie Cervantes | Radical Print | A graphic arts collaboration that follows principles of Xicanisma and Zapatismo. |
2005 | Fifth Stream Music / Asian American Jazz Orchestra (AAJO) | Dr. Anthony Brown | Music – Activism – Education | In 1997, leaders of San Francisco’s Asian American creative music movement founded the Asian American Jazz Orchestra (AAJO), under the auspices of a San Francisco-based, federally funded multimedia consortium project to provide provide education nationally about the Japanese internment experiences of World War II. |
2007 | The Great Tortilla Conspiracy | René Yañez, Jos Sances, Rio Yañez, and Art Hazelwood | Performance – Activism | The world’s most dangerous tortilla art collective. |
2007 | Tech Boom 2.0 | Geopolitics -Technology | Apple’s launch of the first iPhone combined with the rapid growth of services like Google, Facebook, and Twitter to lay the ground for the Bay Area’s second technology-based economic boom. By 2013, unprecedented rises in the cost of living and aggressive housing speculation cause widespread displacement that continues today. | |
2009 | Citizen Four | Laura Poitras | Documentary Film – Civil Rights | Bay Area technologist and activist Micah Lee provided the technical support to help soon-to-be NSA whistle blower Edward Snowden get in touch with film maker Laura Poitras and journalist Glenn Greenwald. |
2009 | DON’T CAP! CLEAN! | Hunters Point Naval Shipyard Protest | Protest – Environmental Racism | Over one hundred Bayview residents and environmental justice advocates protest Lennar Corporations dangerous and mismanaged efforts to remove toxins from the Hunters Point Naval Shipyard. |
2011 | OCCUPY | Movement – Economic Justice | The Occupy movement was the national and the international expression of the Occupy Wall Street movement that protested against social and economic inequality around the world. The movement’s prime concerns dealt with how large corporations (and the global financial system) control the world in a way that disproportionately benefits a minority, undermines democracy, and is unstable. | |
2012 | Liberating Ourselves Locally/L.O.L. | Organization – Technology | A people-of-color-led, gender-diverse, queer and trans inclusive hacker and maker space founded in Oakland, California. | |
2013 | #BLACK LIVES MATTER | Patrisse Cullors, Alicia Garza, and Opal Tometi | Movement – Black | Black Lives Matter (BLM) began with the online hashtag, #BlackLivesMatter, and grew into a national and international organizing project that is an affirmation and embrace of the resistance and resilience of Black people. BLM organizes protests around the killing of black people by law enforcement officers, and broader issues of racial profiling, police brutality, and racial inequality in the United States criminal justice system. |
2013 | Google Bus Protests | Heart of the City | Action – Performance – Geopolitics | On December 9, 2013, a group of artists, activists, and community members staged a theatrical intervention, blocking the departure of a Google commuter shuttle from a City-owned Muni bus stop at the corner of 22nd Street and Valencia. The group symbolically issued a one billion dollar citation for illegal use of city infrastructure. This was the most widely reported of several commuter shuttle actions organized by Heart of the City. |
2013 | Anti-Eviction Mapping Project | Geopolitics – Media Activism | A data collection and visualization storytelling collective. The Anti-Eviction Mapping Project has provided vital information for combating widespread eviction and housing displacement in San Francisco. | |
2014 | The Dance that Documents Itself | Jess Curtis/Gravity | Performance Art | Digital media, documentation, and real-time performance/audience experience create an exploration of the impact of the digital world on our artistic practices and a critical engagement with the impact of tech on the art & culture of San Francisco. |
2014 | SHUT IT DOWN: West Oakland BART | Black Lives Matter | Action – Social Justice | For 4.5 hours at West Oakland BART Station, fourteen BLACK LIVES MATTER activists stopped all trains by chaining themselves between two trains. |
2016 | SHUT IT DOWN: The Bay Bridge | Black.Seed | Action – Social Justice | On Dr. Martin Luther King Day 2016, twenty-five black queer liberation activists peacefully shut down westbound traffic on the Bay Bridge for thirty minutes by shackling themselves to the bridge and vehicles. |